Search results for " Venice"

showing 10 items of 17 documents

"Saliamoci sopra e voliamo via..." Percorsi di Beni Montresor e Philip Glass verso "Le Streghe di Venezia" (1994-2009)

2016

Il saggio delinea i percorsi creativi di Philip Glass a partire dall'inizio dalla fine degli anni Sessanta, con particolare riferimento alle opere o spettacoli di teatro musicale. Nella seconda parte vengono descritti l'eperienza biografica e artistica di Beni Montresor, nonché la genesi e i caratteri musicali dell'opera in due atti "The Witches of Venice" (Le Streghe di Venezia, 1994-2009), presentata al Teatro Massimo di Palermo nella versione che include anche i testi di Vincenzo Cerami.

America Music Musical theater Minimal Music Philip Glass Beni Montresor Vincenzo Cerami The Witches of Venice.Settore L-ART/07 - Musicologia E Storia Della MusicaAmerica Musica Teatro musicale Minimalismo Philip Glass Beni Montresor Vincenzo Cerami The Witches of Venice Le Streghe di Venezia.
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I workshop all’Istituto Universitario di Architettura di Venezia

2010

In 2003 and 2004, in the month of July, Culotta was invited, first among the various Palermitan teachers who subsequently took part in this experience, to hold one of the intensive workshop courses in Architectural Composition at the IUAV. The activity of the workshops as a fundamental preparatory experience of the three-year degree course in Architecture Sciences constituted a didactic innovation of strong experimental value, being a compact themed laboratory, carried out entirely in the classroom. The courses have been designed as an in-depth study, consisting of a second design experience also entrusted to external teachers, with compulsory attendance. One of the objectives, fully achiev…

Culotta Venice IUAV teaching architecural pedagogySettore ICAR/14 - Composizione Architettonica E Urbana
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Testing of “Global Young's Modulus E” on a rehabilitated masonry bell tower in Venice

2017

Abstract This paper shows the effectiveness of the techniques chosen for the rehabilitation of the historic “Sant'Andrea” masonry bell-tower in Venice. The achieved rehabilitation projects based on the indenting technique consisting in removing and replacing bricks in bad conditions, and on the isolation of the bells at the belfry quote, respect all the constraints represented by the aesthetic and structural features of the building. Moreover, the experimental analyses used to define the existing state of the structure are described in detail. The tower is also an interesting case study for the validation of the proposed method to determine the global young's modulus in a rehabilitated maso…

Engineering0211 other engineering and technologiesModulusRayleigh's method020101 civil engineeringYoung's modulus02 engineering and technologyCivil engineeringBell tower0201 civil engineeringsymbols.namesakeEngineering (all)021105 building & constructionGeneral Materials ScienceMasonryExperimental analysisbusiness.industryExperimental analysiRehabilitationGeneral EngineeringNatural frequencyBell towerStructural engineeringBell tower; Experimental analysis; Masonry; Rayleigh's method; Rehabilitation; Venice; Materials Science (all); Engineering (all)MasonryVenicesymbolsMaterials Science (all)businessTower
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Egle Renata Trincanato. Unbuilt

2016

In the spring of 1947, the ‘Venetian’ architect took part in the competition, organized by the Municipality of Venice, for a series of houses to be built in the north and south estuary of the Venetian lagoon, obtaining the first and second prize, both ex aequo, with projects for residences proposals in Burano and Pellestrina. In these two unbuilt works, we can trace some important methodological aspects about the approach to the project by the architect who will make Venice the city subject of her later studies.

Gender Architecture Redrawingunbuilt; representation; Venice; Renata TrincanatoSettore ICAR/17 - Disegno
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Saint Benedict staring at us: Clients as the third party in Modern Art. A theoretical model and a case study in Renaissance Venice

2014

Il presente saggio intende approfondire il ruolo della committenza quale terza parte nel sistema dell’arte in Età Moderna. Al fine di identificare un possibile rapporto di terzietà nell’arte, l’approccio di ricerca si fonda sulla sociologia dell’arte e si concentra sul funzionamento economico della produzione artistica, pur sfruttando infine la tradizione dei casi di studio di matrice iconologica per verificare la correttezza del modello proposto. L’esempio sotto osservazione fa riferimento al Rinascimento Veneziano trattandosi del Trittico dei Frari di Giovanni Bellini, realizzato alla fine del XV secolo e concernente la disputa sull’Immacolata Concezione della Madonna. This paper aims at …

RenaissancepatronGiovanni BelliniSettore L-ART/02 - Storia dell'Arte Modernacommittente mecenate committenza artistica Venezia Rinascimento Giovanni Bellini Trittico dei Frariart commissionSettore L-ART/04 - Museologia e Critica Artistica e del RestauroFrari triptychclient patron art commission Venice Renaissance Giovanni Bellini Frari triptychclientVenice
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Development and sustainable tourism as choice for the future: the city of Venice

2014

Settore AGR/01 - Economia Ed Estimo Ruralesustainable tourism sustainable development green economy strategy plan Venice urban implications
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Valuing the unmarketable: an ecological approach to the externalities estimate in fishing activities

2013

In a rapidly changing world, sustainability, if it can be said to exist at all, is concept that has attained mythic status, often pursued and rarely reached. In order to improve our capability to cope with environmental problems, adopting an Ecosystem Approach has been suggested. One of the major challenges in the implementation of this new paradigm relates to control of externalities. The recognition and quantification of externalities is often cast as valuing the unmarketable, and there are several approaches that have been proposed. Here, we analyze the opportunity to “feed” the economic valuation with ecological concepts. From an ecological perspective, the energy required to sustain a …

Settore BIO/07 - EcologiaGeography Planning and Developmentlcsh:TJ807-830lcsh:Renewable energy sourcesManagement Monitoring Policy and Lawtrophic levelUnit (housing)fishing activitieOrder (exchange)jel:QEcological psychologyEconomicsvaluing proceexternalitielcsh:Environmental sciencesTrophic levellcsh:GE1-350Biomass (ecology)Venice lagoonRenewable Energy Sustainability and the Environmentbusiness.industrylcsh:Environmental effects of industries and plantsEnvironmental resource managementexternalitiesjel:Q0externalities; valuing process; trophic level; fishing activities; Venice lagoonjel:Q2jel:Q3fishing activitiesjel:Q5lcsh:TD194-195jel:O13SustainabilityNatural capitaljel:Q56businessExternalityvaluing process
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Trophic adaptability shapes isotopic niche of the resident fish Aphanius fasciatus across lagoon habitats

2022

Abstract Coastal lagoons are characterized by high habitat heterogeneity where natural habitats coexist with artificial ones, historically set up to support human activities. Increasing anthropogenic pressure may lead to progressive degradation of the most vulnerable lagoonal habitats and the associated biological communities. One of the strictly estuarine-dependent fish species that may be affected by the degradation of lagoon habitats is the South European toothcarp Aphanius fasciatus, archetype of Mediterranean lagoon residents. Carbon and nitrogen stable isotopes were used to disentangle the influence of habitat types (natural vs artificial) and fish community (multi-trophic context) on…

Settore BIO/07 - EcologiaHabitat heterogeneityIsotopic nicheEcologyStagnone di MarsalaNicheNiche differentiationAphaniusContext (language use)Transitional environmentsAquatic ScienceBiologyFish populationOceanographybiology.organism_classificationVenice LagoonMacrophyteSpatial heterogeneityHabitatTrophic plasticityFish population; Habitat heterogeneity; Isotopic niche; Stagnone di Marsala; Transitional environments; Trophic plasticity; Venice LagoonTrophic level
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DIO SALVI IL RESTAURO. L’apporto inglese alla cultura della conservazione dei monumenti

2020

Sebbene già riuscissimo a percepire quanto rilevante fosse l’apporto inglese per aver contribuito alla definizione del restauro modernamente inteso, sino ad oggi mancavano ancora sia una chiara visione d’insieme delle articolate vicende connesse all'affermazione dei princìpi conservativi, sia una più approfondita conoscenza delle fonti documentarie, necessarie al fine di tracciare i profili culturali dei protagonisti e scandagliarne i contributi teorici. La ricostruzione delle vicende è sviluppata entro margini temporali estesi all'incirca per tre secoli, dalla fine del Seicento al principio del Nove-cento, e strutturata attraverso la traduzione e lo studio di testi perlopiù mai circolati i…

Settore ICAR/19 - RestauroRestoration Conservation Preservation Repair Theory History England United kingdom Greit Britain Ireland Italy Monuments Cathedral Church Architecture Inigo Jones John Aubrey William Stukeley Niels Stensen Stonehenge Christopher Wren Nicholas Hawksmoor John Vanbrugh Thomas Hobbes Edmund Burke Invisible College Royal Society James Wyatt Gilbert Scott John Ruskin William Morris Welby Pugin John James Stevenson John Carter William Atkinson Jeffry Wyatville George Edmund Street Benjamin Ferrey Charles Barry John Louis Petit Camillo Boito Giacomo Boni Francesco Bongioannini Giuseppe Fiorelli St Paul’s Cathedral Old St Paul’s Francis Drake York Cathedral Salisbury Cathedral Westminster Cathedral Lincoln Cathedral Beverley Minster Durham Cathedral St Mark’s Basilica Venice Papers on the Conservation of Ancient Monuments and Remains RIBA Royal Institute of British Architect SPAB Society for the Protection of Ancient Building National Trust Francesco Tomaselli Giovanni CarbonaraRestauro Conservazione Manutenzione Riparazione Teoria Storia Inghilterra Regno Unito Isole Britanniche Gran Bretagna Irlanda Italia Monumenti Cattedrali Chiese Architettura Inigo Jones John Aubrey William Stukeley Niccolò Stenone Stonehenge Christopher Wren Nicholas Hawksmoor John Vanbrugh Thomas Hobbes Edmund Burke Invisible College Royal Society James Wyatt Gilbert Scott John Ruskin William Morris Welby Pugin John James Stevenson John Carter William Atkinson Jeffry Wyatville George Edmund Street Benjamin Ferrey Charles Barry John Louis Petit Camillo Boito Giacomo Boni Francesco Bongioannini Giuseppe Fiorelli Cattedrale di San Paolo Francis Drake Cattedrale di York Cattedrale di Salisbury Cattedrale di Westminster Cattedrale di Lincoln Cattedrale di Beverley Cattedrale di Durham Basilica di San Marco Venezia Carta del Restauro Papers on the Conservation of Ancient Monuments and Remains RIBA Royal Institute of British Architect SPAB Society for the Protection of Ancient Building National Trust Francesco Tomaselli Giovanni Carbonara
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Canzoni, ariette, gondole e barchette

2012

L'articolo tratta del genere della canzone in forma di barcarola,tra la metà del Settecento e il secondo Ottocento. Nella prima parte vengono evidenziati i tratti caratteristici del genere, a partire da una discussione della definizione data da Rousseau; e in seguito viene proposta una spiegazione del perché è utilizzato soprattutto il metro di 6/8. Nella seconda parte vengono analizzate due canzoni-barcarole particolarmente emblematiche: "La biondina in gondoleta", e "Santa Lucia".

Settore L-ART/07 - Musicologia E Storia Della MusicaBarcarole Songs Rousseau Mayr Cottrau Venice Naples
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